The papers also contain a never before seen script draft of My Childhood, the only surviving storyboard of My Ain Folk and correspondence regarding many aspects of the Bill Douglas Trilogy's production. The working papers also cover: his time teaching at Strathclyde University - including various lectures he gave, finished scripts from unrealized projects, and personal papers and.
Set in 1945, the first part of Douglas’ triptych revisits his impoverished childhood, living with his grandmother and half-brother in the Scottish mining village of Newcraighall. The austere but beautiful black-and-white camerawork perfectly captures the harsh realities of an existence which finds the eight-year-old Jamie often taking solace from the movies.Direction: Bill Douglas Summary: Labour-of-love trilogy of Douglas's childhood and adolescence that mixes grimy black-and-white impressionism with a heartfelt evocation of isolation and neglect.AUTOBIOGRAPHY AND THE AUTOBIOGRAPHICAL IN THE BILL DOUGLAS TRILOGY GUY BAREFOOT Bill Douglas's death in 1991 was followed by a book of essays, scripts, and biographical accounts: Bill Douglas: A Lanternist's Approach. There has been some, but limited, subsequent critical interest. Where he is known, it is most.
The award-winning and critically acclaimed films by Bill Douglas: My Childhood, My Ain Folk and My Way Home are three of the most compelling films about childhood ever made. The narrative is largely autobiographical, following Jamie (played with heart-breaking conviction by Stephen Archibald) as he grows up in a poverty-stricken mining village in post-war Scotland.
Bill Douglas's award-winning films My Childhood, My Ain Folk and My Way Home are three of the most compelling and critically acclaimed films about childhood ever made. The narrative is largely autobiographical, following Jamie (played with heart-breaking conviction by Stephen Archibald) as he grows up in a poverty-stricken mining village in post-war Scotland.
In MY CHILDHOOD and MY AIN FOLK director Bill Douglas reflects on his own childhood growing up in a poverty-stricken Scottish mining village in the 1940s. MY WAY HOME tells the story of a young teenager who is captured by Soviet soldiers in the final throes of World War II.
Get this from a library! Bill Douglas trilogy: My Childhood; My Ain Folk; My Way Home. (Bill Douglas; Geoffrey Evans; Nick Nascht; Stephen Archibald; Hughie Restorick; Jean Taylor Smith; BFI Production Board.; British Film Institute.;) -- An autobiographical trilogy about a deprived childhood in a Scottish village in 1945, and the immediately post-war years.
My Childhood. Date: 1972 Director: Bill Douglas Production Company: British Film Institute (BFI). Newcraighall is seen in 'My Ain Folk' and 'My Way Home', the second and third films in the Bill Douglas trilogy about his early life. Capture 11 'Now' required; Jamie watches as his Father walks home. The area has been extensively rebuilt and.
Douglas Trilogy: My Childhood Producer: Nick Nascht; screenplay. Yet while the images of Bill Douglas invoke poets like Dreyer or Bresson, these images are contained within highly formalized montage structures derived from Soviet stylists such as Donskoi and Dozvhenko. The.
Bill Douglas trilogy: My childhood; My ain folk; My way home. (Bill Douglas; Stephen Archibald; Hughie Restorick; Paul Kermack; Jean Taylor Smith;). Includes a 28-p. booklet with essays by Peter Jewell, John Caughie, Matthew Flanagan, Louise Milne, and Sean Martin, and cast and credits for each film.
Bill Douglas’s award-winning films My Childhood, My Ain Folk and My Way Home are three of the most compelling and critically acclaimed films about childhood ever made. The narrative is largely autobiographical, following Jamie (played with heart-breaking conviction by Stephen Archibald) as he grows up in a poverty-stricken mining village in post-war Scotland.
This is a tribute to the film-maker Bill Douglas. His films included the autobiographical trilogy My Childhood, My Ain Folk and My Way Home, he won much critical acclaim. He died in 1991, leaving two unfilmed scripts. This work traces the different stages in.
The first part of Bill Douglas’ poetic and profoundly stirring autobiographical trilogy, about an eight-year-old boy growing up in a Scottish mining village in 1945. Set in 1945, the first part of Bill Douglas’ poetic and profoundly stirring autobiographical triptych revisits his impoverished childhood, living with his grandmother and half-brother in the Scottish mining village of.
A typically excellent accompanying booklet featuring an introduction by Peter Jewell (including the poem he wrote for Douglas to mark the 10th anniversary of his death), essays on the Trilogy by John Caughie and Matthew Flanagan, biographical essays on Bill Douglas by Louise S. Milne and Stephen Archibald by Sean Martin, full credits for all.
Bill Douglas. This is an archived page.. 'My Childhood'. The Scottish director has been hailed as a visionary of British cinema and the short-ish films of his trilogy (just shy of three.
The screenplays to The Trilogy are reproduced in Bill Douglas: A Lanternist's Account, edited by Eddie Dick, Andrew Noble and Duncan Petrie (London: British Film Institute, 1993, ISBN 0-85170-348-8). The screenplay to Comrades, published by Faber is unfortunately now out of print but both books can be consulted in the Special Collections Reading Room in the Old Library.
Bill Douglas' trilogy succeeds in evoking a genuine sense of compassion for the characters in these harsh tales of his childhood in the Scottish mining village of Newcraighall in the '40s, without.